What Are Publishing Rights and Why Do They Matter for Songwriters?
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Two Main Types of Music Rights
|
Right Type |
What It Covers |
Who Earns From It |
|
Publishing Rights |
The composition (lyrics + melody) |
Songwriters and publishers |
|
Master Rights |
The actual sound recording |
Artists, producers, or labels |
As a songwriter, publishing rights are your primary source of royalties.
What Publishing Rights Control
- Who can license your song (for films, ads, covers, etc.)
- Who gets paid for streaming, performance, and sync uses
- Who collects mechanical and performance royalties
- How your music is administered globally
How Publishing Rights Are Typically Divided
|
Role |
Share of Income |
Description |
|
Writer’s Share |
50% |
Always yours—cannot be given away |
|
Publisher’s Share |
50% |
Can be retained, assigned, or administered |
If you don’t have a publisher, you own 100%—but still need to administer and register everything yourself.
Ways to Manage Publishing Rights
- Self-Publish (do it all yourself)
- Use a publishing administrator (e.g., Songtrust, Sentric)
- Sign with a publishing company (they may take part ownership but offer advances and opportunities)
Pro Tips
- Register all songs with a PRO and The MLC to collect what you’re owed
- If you self-release, create your own publisher name with your PRO
- Don’t give away your publishing rights in a deal unless you understand the tradeoff
- Publishing rights generate long-term, recurring income—they’re your music business foundation
Bottom Line:
Publishing rights are the core of a songwriter’s income. They control how your songs are used and monetized. Protecting and properly managing them ensures you get paid every time your music is played, licensed, or sold.